Autumn is a spectacular time of the year! Photography takes on a whole new meaning as we’re presented with boundless, colourful subjects. Recently, I experienced a rare, foggy autumn day. Fog creates wonderful lighting conditions, however, it’s difficult to capture a foggy scene and convey vibrance and impact that one expects of autumn. One solution is to wait and capture your images as conditions begin to clear.
On a recent trip I made two images of the same subject; one with the foreground in focus and the other with the background in focus. I settled on the image with the foreground in focus for future use in a gallery, article or print, as it conveyed a stronger message of the subject at hand.
A few weeks later while reviewing my images again, I thought to myself ‘What if I could overlay the two images and combine them to give me one in-focus image?’ The use of a tripod on the original shoot would have let me capture at a slower shutter speed and stop down to an aperture as small as f32, if necessary. However, I didn’t have it with me so, as they say, no use in crying over spilt milk! The image below focused on the background, with the rear of the boat not in critical focus.
Note: Click through any of the images for a larger light box view to see more information about the image and technique.
I decided to try my luck with Google and search for ‘combine images, focus near, focus far.’ The search result Continue reading →
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