With a color palette like no other, it’s a photographer’s dream!
A magical place called Deer Harbour offers stunning photography: pastels and reflections, mist and rain, and movie-like overcast lighting. Not to mention the incredible subject matter!
Getting to Deer Harbour at the best of times requires a ride in a rough-water boat – just to be on the safe side – and skilled seamanship. Once you ’round the headland and exit Trinity Bay you’ve entered paradise. Several kilometres of sheltered coves and inlets all the way to the end of Deer Harbour delivers breathtaking scenery.
Unless one is a geologist or biologist in the field of botany, it’s difficult to explain why this place offers up colourful lichen and rock that spans a unique band in color spectrum, unlike too many places you’ll frequent. The hardest part is getting here – and with a little inside knowledge it can be arranged 😉
Photographing the area requires access to a boat. A single day trip doesn’t quite do justice, so plan an over-nighter. The weather varies, and the best laid plans don’t always mean access by boat is possible. That said, there is a trail that goes from civilization to the lower end of the harbour. Still, to maximize the photographic experience a guide boat is desired. Accommodations are bring your own – can you say tent – however, it’s been known that locals have taken people into their cabins for a night.
Want to get off the beaten track and find your photographic genius? Then Deer Harbour might just be the place for you! Here at Lens50 we organize custom adventures to make things happen!
On a recent trip I made two images of the same subject; one with the foreground in focus and the other with the background in focus. I settled on the image with the foreground in focus for future use in a gallery, article or print, as it conveyed a stronger message of the subject at hand.
A few weeks later while reviewing my images again, I thought to myself ‘What if I could overlay the two images and combine them to give me one in-focus image?’ The use of a tripod on the original shoot would have let me capture at a slower shutter speed and stop down to an aperture as small as f32, if necessary. However, I didn’t have it with me so, as they say, no use in crying over spilt milk! The image below focused on the background, with the rear of the boat not in critical focus.
Note: Click through any of the images for a larger light box view to see more information about the image and technique.
I decided to try my luck with Google and search for ‘combine images, focus near, focus far.’ The search result Continue reading →
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